Margaret Geiss-Mooney is an art and object conservator in private practice since 1979. She provides a full range of services including consultation; on-site examination; photo-documentation; technical analysis including microscopy; condition reports; cleaning; stabilizing; treatment; replicas; construction of custom designed supports, forms and boxes; collection care services and preparation for display and/or storage. She can provide recommendations for a full range of media and artifact types (including those based on cellulose, leather, metals, silk, wool, synthetic and other fibres), specializing in costume, costume accessories and textiles. Ms. Geiss-Mooney is available for both short-term and long-term projects.
She conserves and preserves a wide variety of contemporary, historical, heirloom and antique textiles such as quilts, samplers, embroideries, costumes, costume accessories, uniforms, tapestries, kelims, rugs, ecclesiastical, ethnographic, archaeological, flags and lace, ranging in size from small to monumental. Her clients include museums, insurance adjusters, the Federal General Services Administration, the National Park Service, the U.S. Department of the Army, libraries, dealers, framers, fire/water restoration firms, private owners and collectors. She has completed contract work for the California Department of Parks & Recreation, the Crocker Art Museum, the Berkeley Art Museum, the Hearst Museum of Anthropology, the Fine Arts Museums of San Francisco, the Workman-Temple Family Homestead Museum, the Charles M. Schulz Museum & Library, the Oakland Museum of California, the Pacific Grove Museum of Natural History, the Phoenix Art Museum, Filoli (a National Trust property), Mission San Juan Bautista, the Napa Valley Museum, the Contemporary Jewish Museum, the Blackhawk Museum, the Lucasfilm Archives/Lucas Museum of Narrative Art and the CSU-Sacramento Library Special Collections & Archives.
She also offers workshops and lectures to all interested parties. Her topics include the deteriorating factors affecting textiles and how to slow their effects. She wants the audience to have enough background information about conservation recommendations and guidelines so that they can assess for themselves future recommendations and guidelines. She makes a point of recommending low-cost low-tech common sense solutions. Recent lectures and workshops were given at the Gilroy Museum, Museums Association of Montana (2013 annual meeting), Sonoma State University, the Marin History Museum, Chico State University, the Bay Area Sampler Guild, and thru the Balboa Art Conservation Center (2008-2009: San Diego and Chico, CA, Eugene, OR and Seattle, WA; 2011: Tempe, AZ; San Diego & Sacramento, CA; Eugene, OR; Seattle, WA).